The Recognition of the most basic
English Tones
1.
The five basic tones of English all have quite clear simple (though not
precise) meanings along with pitch values (eg a "movement from high to
low" etc) that are easily recognised and memorised.
2.
Don’t be discouraged if, listening to people talk and trying to
identify the tones they use, you find it baffling. Ordinary speech is
naturally very often not at all precise so it should be no surprise
that its tones are the same, ie reflecting imprecise attitudes and
emotions etc.
3. A tone may be defined as a pitch feature of a syllable which makes it stand out.
Its typical function is to accent (stress) a word. It’s
inconvenient to use phrasal definitions (eg "a fall from a high to a
low pitch") so we give each tone a monosyllabic name.
4. The
Alt, sign / 'm /, ( /m/ standing for any syllable), is a high level
tone, the only basic one which has no movement either up or down. A
speaker who starts speaking with a sustained Alt could be beginning to
sing. Any isolated word spoken on an Alt (in non-remote speech) usually
suggests the incompleteness of a speaker breaking off though wishing to
continue. Alts never end complete sentences of conversational speech or
of reading aloud as opposed to calling out (remote speech) or
singing. The word is pronounced /ælt/.
5. Alts
often occur in sequences (twos or threes etc) with the later ones
stepping lower than the preceding ones. A pair of Alts may well remind
you of the warning sound from an ambulance or fire engine. Alts, first
one high and second lower, are used for calls like Yoo-Hoo and Coo-ee. Three Alts sounds like someone beginning to sing Three Blind Mice.
6.
The Climb / ´m / begins in the middle of the voice range and moves up
towards the top of a speaker’s vocal range. On an isolated word it has
an unmistakeable interrogative ie questioning effect; within sentences
it usually combines marked liveliness with a suggestion of incompleteness.
A speaker of probably any language may request repetition by using a
Climb on a sound that isn’t a true word eg [´m]. The Climb is the least
used tone.
7. The Fall / `m / is the most frequent tone. It goes
from the upper voice range down to the bottom range. It may sometimes
move so quickly that you can only realise afterwards that you heard it
by noticing the next word is low. Its meaning is finality with liveliness.
8. The Rise /ˏm / is the only basic tone that begins low. It moves up to the middle of the speaker’s vocal range. It’s neutral in terms of liveliness but usually positively suggests continuation whether of its sentence or of the conversation. English-speakers may use successive Rises for fairly slow careful counting: eg ˏone, ˏtwo, ˏthree and so on.
9. The Slump / ˎm / shares with the Fall its bottom-pitch-range ending and its semantic character of finality but without the liveliness of the Fall. It begins in the middle of the speaker’s voice range. It tends to be too lifeless-sounding
to be the only tone of a sentence. It often occurs after Alts. Their
high pitch prevents any uninterested, dull or gloomy effect.
10.
Combinations of two or three tones may occur on single words (something
unusual in other languages). The only one of these it’s really worth
EFL users trying to adopt is the Fall-Rise / `ˏm /.
Other “complex”
tones include the Slump-Rise /ˎˏm/, the Climb-Fall / ˊ ˋm / and the
Climb-Fall-Rise / ˊ ˋˏm/. These are favoured by some English-speakers
but not much used by others. The EFL speaker needn’t bother to
adopt them.
11. To recognise a tone, it’s valuable to consider
what semantic effect (broken off, suggesting continuation or final) it
has when heard (on its word) uttered in complete isolation.